Two new foreign films out now in Baltimore, La Chimera and The Beast.
Out of Darkness is a better movie about primitive humanoids than Sasquatch Sunset.
Do Not Expect Too Much From the End of the World will test some people's patience, but I was delighted by it.
Coup de Chance is a pleasant rehash of Woody Allen’s favorite themes.
René Daalder’s haunting and cruel exploitation film Massacre at Central High.
If Awakenings (1990) is a cure for Hollywood’s sexism, then it is, unfortunately, a cure which was painfully limited.
Monica struggles with Da Boss over lack of coverage in a key sequence.
Abigail gets violent and bloody very often.
Alex Garland’s Civil War is incoherent, stupid, self-serious, and worst of all, boring.
Civil War might be a box office success because it appeals to all political ideologies.
Alex Garland's latest is a reflection of a reflection, a simulacra, the product of a media-poisoned brain.
Revisiting Wes Anderson’s fourth film in the same theater I saw it in on opening day in 2004.
Ten films reveal how not to end fights.
Julie Wassmer’s Whitstable Pearl mysteries, and the town that lies behind them.
While Capote vs. The Swans gets a prime time slot the real feud remains untouched.
Darkness, quakes, and The Beast.
The reflection of Chantal Akerman in Andrew Bujalski's filmmaking.
The Tragedy and Triumph of Porco Rosso.
Boredom under the ice.
Why the mushroom sketch?
Whether Sony, Disney, Fox, or Warner, it’s getting grim—and not in the cool way.
This sexploitation film features a rare, early performance by Monica Gayle.
The iconic filmmaker takes questions about his 1974 classic.
Tom Dewe Mathews interviews David Cronenberg, followed by a panel including Mathews, Sheila Whitaker, Alexander Walker, and Christopher Tookey.
The actor talks to Bobbie Wygant on the promotional tour for her iconic movie.
The 1980s icon grabs and gabs about Céline and Julie Go Boating, A Face in the Crowd, Dietrich and Von Sternberg, and more.
The late director on his hair-raising 1977 masterpiece, a failure in its time.
The writer/director and his co-star talk about their film in the early 1980s.
A career spanning interview with the director around the release of his film In the Mouth of Madness.
The actress delivers this report for Italian television from the Manhattan set of the Marco Ferreri film.